Archive for 2010

And So It Ends…

Tuesday, September 28th, 2010

…not with a bang or a sigh, but a final post. This post.

The people at thatstheSPIRIT.com have decided to move in a different direction with the site, and so this will be the last post for Beaumont DRINKS! I have been blogging here since the summer of 2006, at both Beaumont DRINKS! and Beaumont on Beer, and I can say with sincerity that it has been a pleasure being part of thatstheSPIRIT.com’s evolution and development as a drinks-oriented website.

Just because I’ve stopped blogging here, however, does not mean I’ve stopped blogging. I invite you to come visit me over at worldofbeer.com and follow me on Facebook, where there will be plenty more tasting notes, commentary, controversy and drinking, for many years to come!

Central City and Lohin Honoured

Saturday, September 25th, 2010

On the way to the Canadian Brewing Awards last night, I was explaining to a fellow bus passenger how Gary Lohin of the Central City Brewing Company is one of the finest brewers in British Columbia, if not THE best. Little did I know how prophetic I was being.

By the end of the CBAs, Lohin was carting around more hardware than he could carry, with three golds — in Barley Wine, American Style India Pale Ale and Imperial India Pale Ale — as well as Brewery of the Year honours and Beer of the Year for Thor’s Hammer Barley Wine, the first time a single brewery has grabbed both of the top awards.

Also notable in this year’s CBAs were the geographic diversity of the awards, with winners coming from BC, Ontario, Québec, New Brunswick, Nova Scotia, Saskatchewan and the Yukon, and richly deserved accolades going to some oft-overlooked beers, like King Pilsner, winner of the European Style Lager category, and Sleeman Cream Ale, tops of the Cream Ale class. (I regularly maintain that while Cream Ale is hardly my favourite beer style, the Sleeman version pretty much defines it.) Beau’s Lug Tread Lagered Ale also took gold in the ill-named Kölsch category. ( I say “ill-named” because kölsch is a protected term limited to beers from Cologne and so the class should instead be kölsch-style ale.)

For the full list of winners, click here.

Toronto Beer Week and Double Dead Elephants

Thursday, September 23rd, 2010

Toronto Beer Week may be killing me, but I’m going happily! We’re at the half-way point now and I’ve hosted or been part of four events in four days, with a private tasting scheduled today at the University Club. Tomorrow (Friday) is the Canadian Brewing Awards, still an invitation-only affair, I’m afraid, and the weekend is so full of events it almost beggars description.

(Any runners out there might wish to check out the Hogtown Hash House Harriers run leaving the Granite Brewery at 3:00 Saturday afternoon, with beer stops at the Monk’s Table and Highway 61.)

Added to all this miasma is the release of a new beer from Railway City Brewing, Double Dead Elephant Ale, a bigger, 6.8% alcohol version of their Dead Elephant IPA. Check it out over the next couple of weeks at one of the following fine establishments:

  • C’est What, Toronto
  • Bar Volo, Toronto
  • Smokeless Joe’s, Toronto
  • Winking Judge, Hamilton
  • Brain, Hamilton
  • The Griffon, Bracebridge
  • Woolwich Arms, Guelph
  • Uptown 21, Waterloo
  • Blackshire, London
  • Victory Café, Toronto
  • Burger Bar, Toronto

My Picks For Toronto Beer Week

Thursday, September 16th, 2010

The first ever Toronto Beer Week gets started unofficially on Sunday, September 19, with a great Beer Brunch hosted by yours truly at beerbistro, and officially with the tapping of a cask by speaker of the provincial legislature and dedicated beer aficionado Steve Peters at the Mill Street Brewpub in the Distillery District. Thereafter begins seven fully packed days of beery adventures. My picks:

Monday, Sept. 20: Even if I wasn’t hosting it, I’d be at Starfish for Malt & Molluscs Monday, a celebration of bivalves and beer with more than a few surprises planned. Elsewhere, Mirella Amato is hosting More Than Meets the Eye, a blind tasting at C’est What and The Paddock is featuring a Paper Bag Night that challenges you to guess what brands are being poured from unidentified draught taps.

Tuesday, September 21: The big one this night is the BrewDog Beer Dinner at beerbistro, but I think that’s all but sold out now, so consider the IPA Cask Challenge Final at Bar Volo or the Black Oak Brewery Guided Tasting at The Only Cafe. And later on in the night, drop by the Beer Writers-in-the-Round chat at C’est What and share a pint with a bunch of people who earn at least part of their living writing about beer.

Wednesday, September 22: More shameless self-promotion, I know, but I’ve got to plug my Malt Magic! gig at The Monk’s Table tonight, featuring five great beers paired – yes, paired! – with the same number of exceptional single malt whiskies, accompanied by carefully chosen cheeses and chocolates. Call (416) 920-9074 for tickets and info. Oh, this is gonna be fun! Elsewhere, the Victory Cafe will be featuring a One-Off Stand-Off by pouring a bunch of one-off productions from Beau’s All-Natural Brewing Company and the Nickle Brook Brewery and Cowbell is hosting a Muskoka Cottage Brewery Beer Dinner, no doubt featuring the brewery’s new and tasty Harvest Ale.

Thursday, September 23: Start withLunch with Grand River Brewing at Kilgours Bar Meets Grill, then swing by the Amsterdam Brewery for the launch of their Oktoberfest beer, and finish up at Highway 61 Southern BBQ for their Harvest Beer Festival. What could be more simple?

Friday, September 24: It’s Cask Night at the Tranzac Club, which promises to be of great interest, but it’s also the C’est What pay-as-you-go Festival of Craft Breweries, their 22nd annual edition! And as if that weren’t enough, the Toronto Star’s Josh Rubin is hosting a great Luxuries of Life beer dinner at The Monk’s Table and Bar Volo is having their first-ever Collaboration Cask Night. Oh, decisions, decisions.

Saturday, September 25: It’s almost over, but there’s still more drinking to be done! Head north, my friends, for the annual Brews Fest at Black Creek Pioneer Village, which is always a great time, and back south for the tail end of the CASK Social at Bryden’s. When hunger hits, drop by the Burger Bar in Kensington Market for their week-long Oktoberfest Celebration or Trevor Kitchen and Bar for a six-ccourse beer dinner featuring the beers of Duggan’s Brewery and the delectable cuisine of beerbistro-alumnus Jesse Vallins.

Sunday, September 26: Work off some of the week’s beer by roaring around town in the Toronto Beer Quest scavenger hunt before settling in at The Gladstone for some bluegrass music and Mill Street beer. Or squeeze in one last beer dinner at The Monk’s Table, hosted Aonghus Kealy and featuring the ales of London’s renown Fuller’s Brewery.

If all that’s not enough for you, the full schedule of events is over here.

How Does This Make Sense?

Saturday, September 11th, 2010

While visiting yesterday with Peter Hunt, head distiller at Victoria Spirits, I found out a little about the economics of being a small scale distiller in Canada. Peter told me that the company makes as much or more on its splendid Twisted & Bitter bitters as it does on its equally excellent Victoria Gin

The bitters sell for about $10 a bottle; the gin for roughly $50. Doesn’t make sense to me.

Let’s Hear It For Collaboration!

Wednesday, September 8th, 2010

I don’t normally write about beers I have yet to sample, but surely this new project out of Nova Scotia deserves some attention. Combining the mini-trend of collaboration brewing – much seen south of the border and overseas, but rarely in Canada – and the bigger movement towards so-called “wet hop” beers – which is to say, beers hopped with unkilned hops – two NS craft breweries have some up with ALPHA%DOG Wet Hopped Collaboration Ale.

Here’s the skinny from the press release:

The project was born in 2009 when Propeller’s President John Allen and Sea Level’s Owner/Brewer Randy Lawrence joked around over a pint about creating a collaborative one-off beer. The two chuckled a bit over the idea but quickly shifted from a casual pint to the serious business of making this collaboration a reality. The ALPHADOGliquid result from their session is ALPHA%DOG Wet Hopped Collaboration Ale.

(…)

The copper coloured beer is brewed with 100% local Cascade and Willamette hops from Lazy Acres and Sea Level hop farms in the Annapolis Valley in Nova Scotia. These hops are harvested and shipped as “wet” un-dried hops to Propeller Brewery in Halifax where Sea Level brewer Randy Lawrence adds them to the brew kettle while their oils and resins are still at their peak.

Don’t ask me about the “%” in the name – I thought it was a computer emailing glitch until I saw it on the actual label. The release further states that the beer will be available “late this summer,” which so far as i can figure is right about now. Contact Propeller Brewing for details, I guess.

Tasted! – King Brewery Vienna Lager

Monday, August 30th, 2010

Vienna lagers are, to my experience, rare and difficult beasts. The rarity is attributable, I’m certain, at least in part to their difficult to define nature, although it could also be argued that they are not nearly as rare as one might think, so long as you maintain a broad enough definition.

In his World Guide to Beer, Michael Jackson likened the Vienna to the German märzen, typifying it somewhat vaguely as amber in colour, bottom-fermented and above-average strength. He later refined this in his New World Guide to Beer to “reddish-amber, sweetish (and) malt accented.”

The new Vienna Lager from Ontario’s King Brewery, an addition to their portfolio of a tremendously tasty Pilsner and very fine Dark Lager, meets pretty much all of Jackson’s criteria, save for the above-average strength part, it being only 4.8% alcohol by volume. The nose is sweetly malty, with suggestions of caramel and walnut alongside a faint and vague spiciness, while the body begins “sweetish” and most certainly “malt-accented,” with notes of off-dry caramel and toasted brioche leading to a rising nuttiness, a slight suggestion of roasted grains and a mildly bitter finish that carries to its end the gentlest hint of sweet malt.

All-in-all, this is a highly quaffable – note I didn’t say “drinkable”! – lager that I could and would happily enjoy alongside foods from roast chicken to pork loin to pepperoni pizza, and another feather in the brewing cap of Ontario’s leading lager brewery.

Standing Up for Cork

Tuesday, August 24th, 2010

Everybody knows what’s going on in the wine world these days so far as bottle closures are concerned. Corks are being replaced by screw tops and fake corks. And for the most part, winos seem to be happy about it.

To a very small degree, beer is going the opposite direction, at least with respect to numerous high end, craft brewed options, and as a beer aficionado, I am cheering this trend. What’s more, I’d like to see more corks in my wines, not fewer. Here’s why.

To start with, as this story from England’s Guardian newspaper makes clear, the incidents of TCA contamination, or cork taint, are way down in wine, mainly because the cork industry has finally seen fit to jump on the technology bandwagon as a means of combating it. I have noted a dramatic decline in the amount I encounter in the wines I drink and so am not surprised to find that in the opinion of one oenologist, Christopher Butzke, it has been all but eradicated.

Secondly, I hate fake corks. I mean, despise them. They are uniformly difficult to pull and impossible to replace and they look and feel ugly.

Screw caps are better, but they, too, sometimes stick, or scratch or even cut. Not often, admittedly, but enough that I can think of a few incidents off the top of my head, including one just the other night.

Then there are the economic and environmental benefits of cork, as explained in the Guardian story, and the undeniable romanticism of the pop of a cork exiting a bottle of cabernet sauvignon or, better still, champagne. Not to mention the added sense of sophistication and occasion a cork and cage awards a bottle of fine ale.

(Incidentally, I’ve also noticed a dramatic decline in the amount of cork taint appearing in cork-finished beers, to the point that I’m almost ready to change my cellaring recommendation for beer from “stand up” to “lay down.”)

All of which is why I encourage you to join me in standing up for cork, the ultimate closure for wine, beer and spirits. And while we’re at it, let’s see if we can repudiate the twist-off cap, too.

Springbank Shows Off!

Friday, August 20th, 2010

It’s ten in the morning and I’m sipping single malts. Oh readers, the sacrifices I make for you!

The reason for my early imbibing is the arrival of five new whiskies to Ontario from the Springbank Distillery of Campbeltown on the southernmost tip of Scotland. (The whiskies are also available in Alberta and the United States.) Although the casual observer could be forgiven for thinking that they do not all hail from the same locale, since between the quintet they sport three different distillery names.

The source of this possible confusion is, ironically, the distillery’s interest in preventing a misunderstanding of their intent. You see, the full, balanced and complex character of Springbank is well-known among single malt aficionados, and so if they were to bottle, say, the Longrow whiskies under the Springbank name, consumers expecting one thing might well wind up receiving something entirely different.

If I’ve only further muddied the waters with that last paragraph, the following notes should clear things up.

hazelLet’s begin with the Hazelburn, then. Bottled at 8 years of age, with 60% matured in bourbon wood and 40% in sherry wood, according to the distillery’s notes, the Hazelburn is entirely unpeated and thrice distilled, which on the surface makes it sound much like a classic Irish whiskey.

And sure enough, on the nose this spirit is eerily reminiscent of an Irish, with a zesty, slightly sweet aroma with fresh fruit notes like tangerine, Meyer lemon and gooseberry awakening the senses like a sunbeam peaking through a crack in the curtains. As the whisky crosses the palate, though, the Irish resemblance ebbs away as that fruitiness turns first floral, then adds spicy vanilla before finally finishing with lingering notes of peppery citrus and oak. Oddly, too, there’s a suggestion of peat smoke in this unpeated spirit, leading me to wonder if it perhaps gets a touch of “contact smokiness” from the maltings Springbank operates on site. Regardless this strikes me as an excellent aperitif whisky, and a pretty good morning dram, as well!

spring 10Moving on to the Springbank 10 Year Old, I am reminded immediately of what I have long admired of this distillery, that being its distinctly complex, full character paradoxically combined with a high degree of approachability. On the nose, the peat smoke is balanced by rich aromas of preserved lemon, fresh and baked pear and a hint of raisins, while the body starts with chocolate, vanilla and hazelnut before segueing to smoky caramel, more baked fruit and apple pie spices. Its older brother, the sherry wood-matured Springbank 15 Year Old, maintains the family resemblance but within an entirely different context, with an end-of-the-night character that combines all the best parts of the end of a Christmas feast – figs, chocolate, pudding spices, stewed fruit – in an almost ideally rounded and contemplative dram.

On to the Longrow. Styled after the famously smoky whiskies of Islay, Longrow is presented here in two declarations: Longrow CV, which stands for “Curriculum Vitae” and is blended from casks of varying ages, and Longrow 10 Year Old.

Not quite a candidate for the peat wars presently enveloping Islay distillers Bruichladdich and Ardbeg, the CV has an altogether approachable smokiness on the nose, with background longrow 10hints of vanilla, cocoa and date, and a faintly iodine-y, smoky but surprisingly light, sweet and creamy body with a modest spiciness and lengthy finish. The 10 Year Old seems a bit less smoky – which might be owing to the sweetening effect of the sherry wood used to mature a portion of the spirit – and fuller in the body, with a complicated blend of raisin and date, fresh apricot, chocolate, baked apple and charred wood. Where the CV offers accessibility, the 10 Year Old brings you closer to the rarefied realm of the whisky connoisseur.

In brief: the zesty Hazelburn for afternoon or as a pre-dinner aperitif; the balanced Springbank 10 Year and approachable Longrow CV for dining, alongside a roast, perhaps, and with a little water on the side; the more challenging Longrow 10 Year for partnering with a nice barleywine after dinner; and the sensory caressing Springbank 15 Year before bed.

All five whiskies are being released at the LCBO through the months of August and September. Check out lcbo.com for information, prices and availability.

NAB + Magic Hat + Pyramid + Portland Brewing = ?

Saturday, August 14th, 2010

North American Breweries (NAB) made the news this week when they announced the purchase of Independent Brewers United, the parent company of Vermont’s Magic Hat Brewing, Washington state’s Pyramid Breweries and the Portland Brewing Company, also known as MacTarnahan’s. It is a marriage that might well strike worry into the heart of craft beer aficionados.

NAB is, after all, the brewer of Genesee and Genny Light and purveyor in the U.S. of Blue and Blue Light, brands InBev was forced to divest itself of before its marriage to Anheuser-Busch could be consummated. Not exactly the kind of pedigree that you would judge suitable for a studious supporter of craft beer.

But wait, you’d be wrong. The evidence, your honour.

First up, a while back – after innumerable bureaucratic snafus – I was able to sample two new brands from the Dundee line of brands, also owned by NAB, a Kölsch-Style Ale and a Stout. Both were credible interpretations of their style, if not necessarily the kind of brews that get beer raters all in a lather. The former I found to be a bit overly sweet and biscuity, but at least running in the same direction as the style it seeks to emulate – and credit for naming it a Kölsch-Style Ale rather than a Kölsch, since having not been brewed in Cologne, Germany, it couldn’t be the latter.

The stout I likewise found to be a bit on the light side, but in the broad area of what the style would seem to dictate, with some dark fruit and very faint smoke in the body and a dry, although also a bit thin, finish. In my notes, I characterized it as a refreshing stout for summer drinking.

Next up, as Jay Brooks reported, NAB have taken the unusual step of declaring their intentions with respect to the well-known craft brewers, stating emphatically that “The beer will remain the same: it will be brewed by the same people in the same breweries, using the same recipes, ingredients and commitment to artisanship as it has always been.” They have further committed themselves to maintaining all the existing brewing and retail facilities of the three breweries, although interestingly no mention was made of layoffs or job attrition.

Finally, we have the matter of an up-and-coming beer company seeking to grow in pretty much the only part of the beer market that is continuing to expand. And one has to believe that they are smart enough to understand you don’t accomplish that my messing with brands and bodies that people already know and believe in. Tweaking, perhaps, but not wholesale overhauling.